While I was cleaning out some computer files the other day, I ran across this project that I had begun to design in 2008.
The fans were not designed by me. I don't remember where the original fan designs came from--probably from a vendor on eBay. I can't even find the original files on my computer now.
From viewing the project file, it looks like I scanned, then traced the designs and re-sized them to fit into 9" squares. Some of them are a little skewed. Because all of the fans are set diagonally in the block it's really not that noticeable. They were probably not all the same size to begin with.
I had gone so far as to design a crazy quilted background block to be used in all of the squares, too. After giving this a second look, I think that the squares should be bigger, too, to set off the fans better.
I got that far with it, then it seems to have been forgotten. Giving it another look, it now looks like something that's do-able and I'd probably enjoy working on it, too.
I still have a few problems to work out before I begin. What fabrics should I use?
I sell this beautiful line of silk velvet on my website from Colour Streams. This fabric is hand dyed by Robyn Alexander in Mullumbimby, NSW, Australia. It's available in 52 colors, with hand dyed silk ribbon and silk thread to match. There are more than enough colors for this quilt.
They'll be a lot of embroidery and applique on these blocks, so I need to find something that's really stable for the background blocks.
I still need some other fabrics to blend with the velvets, too. I'd love to use silk dupioni for the appliques along with the silk velvet, but I don't know how to get around the fact that it's nearly impossible to needleturn to get a smooth edge on an applique. I actually prefer the freezer paper and starch method of turning edges like the block below. It's not even difficult to use this method with very detailed appliques like this block from the Roseville Quilt that was so HOT many years ago--it's another forgotten project of mine, too.
The problem with using the silk dupioni with this method is that the silk is stained by the starch and there's no way to get around that. The starch needs to be spread around the edges of the fabric, and it bleeds into the fabric. With cotton, it's not a problem. With the silk, it is.
So, I may have to make up a sample block to try a few ideas out before I begin.
I plan to probably spend the next year working on this.
But first I need to finish a block that I was invited to make for a special project. I can't share it yet, but I will soon. I learned a lot working on this special block. I plan to share what I learned working on it, too.